Stage Two - Out of Time, Out of Place

While this project links closely with Stage Four, taking heavy inspiration from the concept of a third-person perspective; instead of conveying the idea of 'over a photographer's shoulder', the goal is to twist the viewer's mind by placing the camera in an unnatural environment with potentially obstructed vision - an area of ambiguity and uncertainty for the camera. This enables the viewer to question how it is plausible for the camera to be the main clear subject in the image and add an element of confusion with its unusual placement, while simultaneously making them question where the camera is if it is in clear view as a subject. Playing with the viewer's mind even further, continuing the inclusion of a vintage camera, with it this time being in such unusual places that it causes one to have to think even further and offer no explaination, only giving room for interpretation.